![]() The larger game, however, soon presents itself, as Gwen gets recruited by an elite squad of spider-folk who essentially police the multiverse, under the fierce leadership of a character voiced by Oscar Isaac.Īssembled by trios of directors (Joaquim Dos Santos, Kemp Powers, Justin K. Miles’ arc begins innocently enough, as he comically battles a semi-inept, dimension-hopping villain known as the Spot (Jason Schwartzman) while rushing to make an appointment with a school counselor. He’s clearly pining for her, while grappling with the challenges of juggling school, his suspicious parents (Brian Tyree Henry, Luna Lauren Velez) and sneaking off to do super-heroic deeds. Yet that makes “Across the Spider-Verse” in some respects play like the protracted setup for what potentially promises to be another more satisfying sequel.Īlthough the focus is again on Miles Morales (voiced by Shameik Moore), this “Spider-Verse” gives near-equal time to Gwen Stacy (Hailee Steinfeld), one of the other spider-folk that he encountered in his first foray into parallel universes. Given the first movie’s Oscar-winning success, the producers have taken the practical step of positioning this as a franchise that’s going to be around for a while. The movie also falls victim, somewhat, to the blessings and curses associated with the multiverse, which offers infinite possibilities but also the occasional sense that there are so many permutations none of them matter all that much. While the movie remains a dazzling experience in terms of what the animation achieves, it indulges in what feels like sensory overload, seeking emotional heft in ways that slow down the action. Coming almost five years later, “Spider-Man: Across the Spider-Verse” spins a much denser web, padding on about 40 minutes that make this exercise heavier and considerably less nimble. While it hit a snag with its panorama option, the overall program was smooth sailing, and we recommend it.The stunning visual palette of “Spider-Man: Into the Spider-Verse” soared in 2018, combining that eye-popping animation with an abiding love of the comics and plenty of goofy humor. Windows Live Photo Gallery is a free utility from Microsoft. Beyond that misstep, Windows Live Photo Gallery is a smooth and likeable entry-level photo management system. We were curious about creating panoramic photos, but apparently you can't select it as a function, and the Help file offers little in the way of useful advice. One disappointment was the Panoramic Photo feature. We were able to publish our photos online or even burn a CD within the program's interface, a surprising but pleasant addition. The program quickly cropped our selected image and minimally adjusted its color, but not much more. Windows Live Photo Gallery offers basic editorial tools that seem likely to delight novices and frustrate photo experts. Nevertheless, we uploaded some photos from our digital camera with a single button click and were quickly able to choose a shot to edit. All the commands and functions were logically organized, and the program was pleasing to use, though the Help file's vague instructions for panoramic photos were a disappointment. The program's interface was clearly designed by Microsoft and felt instantly comfortable, with the familiar feel of Windows. Its functional design and excellent capabilities make it one of the most user-friendly photo programs we've ever tested. Windows Live Photo Gallery collects a simple set of tools for downloading, editing, and sharing photos.
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